I Wish I Had Known... About Graphic Design!

This is the twentieth post in my series of posts where I speak with people in the creative industries and ask them questions about the things that "I Wish I Had Known" when I started out as a creative myself.

A few weeks ago, I had the pleasure of having a conversation with Ruby Lee, the Creative Director of London-based Studio 77, about graphic design, the role of creative directors these days and how can design studios contribute to making this a better world:

1. What is graphic design, and why is it important?

It’s written words’ better-looking sister.

Graphic design is a visual form of communication, a story-telling aid if you will, and it’s everywhere and impossible to escape. In fact, I bet if you look up right now, you can see at least 3 types of graphic design around you? Adverts? Signs? Posters?

Graphic design is such a prevalent part of everybody's day to day life, it has the power to communicate a story, emotion or feeling, so it’s important that it’s executed properly.

2. What skills do you need to become a graphic designer?

From a creative perspective, you need to have a willingness to explore ideas and do things a little bit differently, nobody likes a copy-cat designer.

From a more technical standpoint, I think an understanding of space (#ilovewhitespace) and layout skills are important too, as well as making sure what you’re trying to say with your design is clearly communicated.

However, the most important thing you need to be a successful creative is patience. Sometimes ideas can take a while to populate and form in your head, and other times, let’s be completely honest, clients can be an absolute nightmare with changing their minds. It’s important to be willing to satisfy your clients’ creative ventures as well as your own.

3. What fields can graphic designers work in?

If you’re freelance, you can work from any field as long as it has wifi (I am a dad joke person…).

Graphic design is a pretty wide market and opens up doors to all sorts of creative roles in the future. It’s totally up to you! From exploring illustration to creating brand identities to designing websites or crafting advertising campaigns, there’s a lot of specialisms to choose from.

I would say explore a few different strands of design before jumping into your chosen specialism, as it’s really useful to have a knowledge of how different areas of design work, especially if you’re looking for a creative director or art director role.

Knowledge is power!

4. You mention brand identity. What is the difference between graphic design and branding?

Graphic design is mainly a visual-focused form of communication, whereas branding is a mixture of both visual and strategy.

Most people think of just the logo when they think of branding, but it’s a lot deeper than that, think colour palettes, brand positioning, tone of voice, photography etc. A branding designer has to think about all of these things when starting a branding project.

In most cases, a graphic designer is given some sort of ‘brand guideline’ to adhere to, which will outline the visual elements of the brand itself.

5. After finishing their degree, do you think graphic designers should work for someone else before venturing into freelancing?

This is a completely personal decision for each and every designer! For starters, I didn’t go to university, I just went straight into work experience, then in-house, then agency side, then freelance and then eventually started my own design studio.

But I do think in order to be a good and adaptable freelancer, prior agency/client experience is really beneficial. Agencies are a fast-paced (and somewhat stressful) environment, quick turnarounds are expected, the ability to decipher the most scrambled briefs is a talent within itself, and if you can learn these skills within the comfort of a full-time job, I would recommend you do so.

Once you’ve successfully mastered some, or all of the skills above, if you’re feeling ready to freelance, go for it!

In the freelance community, everybody knows everyone, so word travels fast. If you’re doing a great job, your recommendations will snowball, and you’ll be swatting away work left, right and centre; but similarly, if you’re not doing a great job, it’s not good for your reputation.

The other thing I would say before embarking into the freelance world is to save up three months worth of rent and bills. It’s a pretty unpredictable market, some months you could be fully booked up, and in others, you could be twiddling your thumbs, so it’s a sensible idea to have a safety net to fall back.

6. What has been your evolution since the days when you were an in-house designer?

Geez, that was a long time ago! How long have you got? The journey from in-house designer to starting my own design studio was fairly slow and logical (which is very off-brand for me…), with an injection of impulse and ‘I’m just going to f***ing go for it’ mixed in.

As I said before, I skipped university and went straight into work experience, to in-house, then to agency side, then to freelance and then to Studio 77, my website design studio.

The biggest evolution of my design journey was somewhere between working for an agency and quitting to go freelance, and then starting my own business.

I’ve learnt a lot of lessons along the way, I didn’t know anything about how to run a business, but I knew how to design things. I guess my biggest evolution was throwing myself into the deep and learning about the business side of things!

7. What is Studio 77?

We are a website design studio based in London, we work with a breadth of different clients across a multitude of sectors, but they all have the same goal - to bring moments of joy to their customers.

Each and every client gets treated like the unique entity that they are. No box templates, no quick fixes, we take each website from original sketches through to a fully-launched, functioning bespoke digital masterpiece.

We really care about not only our clients but also our clients’ customers - as they are the ones that will ultimately keep our clients going!

We start off each website with a discovery and strategy session, where we get deep into the minds of our customer’s customers, and imagine how they think and how they’d use the website from their perspective. Then, and only then, can the visually creative process begin.

We only work with a select number of clients at a time, meaning that we can focus on their websites. This not only means we can get our creative juices flowing, but that we can take an idea, and turn it into a live website in as little as two weeks.

8. In your role as Creative Director of Studio 77, how are your responsibilities different from when you started as a Graphic Designer?

As a creative director, you not only design things, and give your creative input, but you oversee the whole creative process. My job as a creative director is to make sure that nothing leaves our studio that’s not as ‘perfect’ as it can be.

I oversee the freelance team members we have and make sure the work is up to standard and is creatively pushing boundaries. No-one wants a boring design, not us, not our clients, no-one!

9. As a client, when would I need to hire a Creative Director?

I think a Creative Director is really important for projects where you have more than one creative working on your brand.

We are essentially ‘the brand police’ and make sure that everything that goes out the door is on brand, looking good and to a high standard.

10. How involved are Creative Directors in the final outcome of the project?

We work closely with all of the creatives, copywriters and artworkers to, well, direct the project.

Any creative project is a joint effort (and if it’s not, it should be!), but Creative Directors have the ability to steer the creative outcome in one direction or another. We are the brand ‘guardians’ for projects, and we ultimately have the say whether something is approved or not before it gets sent to the client.

11. When you talk about your clients, you say that you handpick those clients who bring joy to the world, which sounds to me as if you were trying to have social impact through your work.

All businesses should have a social impact!

We only have one planet, we should treat it, and everyone on it, with respect. We like to mix up our work with the high budget luxury clients with work with charities and start-ups, think of us at the Robin Hood of design…

We also donate £150 of each website project we do to Friends of the Earth to help tackle global issues such as climate change.

12. How do you think design studios can contribute to make this a better world?

Stop using comic sans. I joke (kind of.)

In all seriousness, design is a form of communication, so just make sure what you’re saying with your design is impactful.

I think if you’re at a place where you financially and time-wise can, reach out to charities or partner up with those in need of a graphic designer with no budget.

13. How can anyone interested in your work get a hold of you?

Digitally, we exist at www.wearestudio77.com and @wearestudio77 on Instagram. Physically we’re housed in the lovely Second Home in London Fields.

Pop by and say hello!

Thank you so much, Ruby, for sitting down with me and sharing what graphic design is all about. It’s everything that I Wish I Had Known!

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If you haven't read the previous posts of this series, you can check the whole series here. I hope you liked this new post and stay tuned for a different creative each month!

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Who Stole Pink From Men?

When I read the news that the new Minister of Women, Family and Human Rights of Brazil, Damares Alves, said that a new era begins where boys will wear blue and girls will wear pink, I thought to myself: is this still a thing? I was under the impression that we had moved past this whole ‘blue for boys / pink for girls’ thing a few decades ago, but oh! was I wrong! Just a quick browse at the major retailers online shows that the majority of them still support the idea that colours have a gender. In times when the fight for a fairer and more equal society should be on every brand’s agenda, why does it seem like so many fashion brands still haven’t gotten the memo?

Last year, I wrote about our loyalty to brands that don’t deserve it. So, for this post, I decided to start my research by going to the kids section of the online stores of the brands that I spoke about in that previous post: Nike and Adidas. I was shocked to see that these brands are still designing clothes for kids predominantly using pink and pastel colours for girls and more neutral and bold colours for boys. And it doesn’t end there, other brands like H&M, Zara, Calvin Klein, Tommy Hilfiger and even the very progressive Desigual perpetuate these colour roles as well. From all the websites that I visited, the only one that had a more neutral gender store was Hollister, to my surprise.

If you asked the creative directors of any of these brands the reason behind this, they might tell you that the trends for boys this season don’t include pink, or that if they designed clothes for kids switching these gender roles parents wouldn’t buy them because their children wouldn’t want to wear them. But children don’t make these decisions on their own, they have been conditioned by their family, the media or society in general to think like this. I am convinced that if any of our children’s male heroes or male role models wore more pink, we would see a rise in pink coloured clothes sales for that season for boys.

Besides, this idea that pink is feminine and blue is masculine is a very recent invention. Until the arrival of pastel colours, the colour for children of any gender used to be white. According to the Smithsonian Institution, at the beginning of the 20th century, that is less than 100 years ago, colours began to be assigned to genders with pink being promoted as a colour for boys because it was ‘decided and strong’. It wasn’t until the mid-20th century when trends changed and the colours for genders were switched to blue for the boys and pink for the girls. But, as a trend, it faded away until the mid-80’s when it came back thanks to the pregnancy test brands and have since been imprinted in our minds.

As a photographer, I know that the message behind the colours that we use in imagery can be very powerful. But I also know that colours don’t have an innate meaning; humans assign it to them. For instance, in the western world, the colour red can be associated with love, passion and sensuality, but a red flag is a sign of risk and danger. Meanwhile, in countries like China, red means good luck, happiness or success. In some cultures, white symbolizes purity but in other cultures, it is associated with death.

Not a single colour means the same to two different people. What a colour makes someone feel is something unique to the individual. If you need a colour to be able to tell your children apart, then you have a different problem. But a boy won’t feel less masculine if he wears pink unless you make him feel that way. Besides, what does feeling masculine or feminine even mean to a baby? Babies start developing their identities as they grow and if a baby boy identifies as a male they will continue feeling like a male no matter how much pink you put on them.

The fashion industry has a massive impact on our lives, even if one is not conscious about it. We express ourselves through the clothes we wear. They speak about our mood of the day, our cultural backgrounds, our political stances or what we do for a living. Sometimes, they can also be used as tools of oppression.

The message behind the words of Minister Alves is about undoing everything that we have accomplished in terms of gender equality. We mustn’t let that happen, we must fight back. As an industry, we have the most incredible tool at our disposal for the task, one that is so powerful and ubiquitous that it can reach every single person on the planet. Stop forcing pastels onto girls and let’s get more boys to wear pink

Photo credit: me, age 2.

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