Exhibition in Margate

As a founding member of the Quiet Storms Collective, I’m excited to announce that our first exhibition will take place at Joseph Wales Studio in Margate from August 15 to 26, 2024. Open daily from 12 to 5 pm. All welcome!

Unearthed is an interdisciplinary exhibition by Quiet Storms Collective that brings together a group of local and international contemporary artists from diverse backgrounds and disciplines who use visual storytelling to question power structures, embody inner-worlds and memories, and reclaim liminal and wondrous spaces.

Featuring painting, photography, mixed-media and sculpture, artists in the exhibition include: Fiona Stewart, JC Candanedo, Jo Mason, Josie McCoy, Kristin Rawcliffe, Laura Hope, Lisa Snook, Sheila MacNeill and Sinead McKillican.

Quiet Storms Collective is a group of contemporary artists transcending borders who are bound by their exploration of untold personal and collective stories. Whether it be stories of land and peoples, or myth and magic, their exceptional talents reveal unspoken emotions that hide on the threshold of strength and vulnerability.

In this exhibition, the artists individually explore echoes of unearthed stories, each in their own way, to capture subversive narratives on a journey towards empowerment, resilience, and positive transformation unravelling power and place. In doing so, they confront the duality of journeying through inner-worlds while rebelling against established structures of power.

Unearthed offers an exclusive insight into their visual language and an opportunity to experience the fusion of their distinct styles.

Exhibition Info

Unearthed

Date: 15 - 26 August, 2024

Location: Joseph Wales Studio, 2a Dane Hill, Margate, Kent CT9 1QP

Tickets: Free entry

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Exhibition At The Barbican Library

From 5th to 29th July, at the Barbican Library, the 'Shifting Narratives' exhibition will be showcasing the 'Decolonising Fashion and Textiles' project outputs curated by Camilla Palestra.

Over the past two years, I've been collaborating with researchers from the Centre for Sustainable Fashion at London College of Fashion on a project 'aimed at challenging the status quo and empowering refugee and asylum-seeking participants to build connections and voice their concerns for our collective uncertain future, while advocating for positive policy change.' - Dr Francesco Mazzarella and Dr Seher Mirza.

CSF researchers Dr Francesco Mazzarella and Dr Seher Mirza reflect on the 'Decolonising Fashion and Textiles' research project, explore valuable insights and share their new policy paper and petition. ⁠

Also on show, the series of portraits that I took in collaboration with Lucy Orta for the "Lifeline Activation" in the hopes to shift the mainstream narrative that negatively affects individuals and families seeking refuge and asylum in the UK and advocating for a more compassionate future.

You are invited to the exhibition's free public programme which includes guided exhibition tours, workshops and an in-person and online symposium.⁠

🔗 Click here to learn more and book your free tickets! 🎟️⁠

Exhibition Info

Shifting Narratives

Date: 5 - 29 July, 2024

Location: Barbican Library, Barbican Centre, Silk Street, London EC2Y 8DS

Tickets: Free entry

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DOCUMENT NOW: No Borders - Group Show

I'm excited to announce that I'm taking part in DOCUMENT NOW: NO BORDERS, an exhibition at the Royal Society of Arts from June 18-21, 2024. This group show invites global photographers to share stories of migration and identity, investigating community and culture in a world of rapid globalisation.

In this group show, I will be showing some of the photo-textile artefacts from my series Pro Mundi Beneficio alongside my video performance piece entitled This Is (From) America. In Pro Mundi Beneficio, I tell the stories of the plants endemic to the American continent that have greatly benefited the economies of other parts of the world, but that have also been influential in the creation of new cultural identities around the globe. This series is named after the motto on the coat of arms of the Republic of Panama and is Latin for “For the Benefit of the World.”

On Friday 21st, and in commemoration of Pride month, I will be premiering my latest video performance piece entitled People Like Me, a 5-minute short film in which I explore homophobia, conversion therapy and familial relations. The presentation of the short film will be followed by a Q&A and an opportunity to view the DOCUMENT NOW: NO BORDERS exhibition with the artists.

Group show

Document NOW: No Borders

Date: 18 - 21 June, 2024

Opening Times: Tuesday, Wednesday and Friday, 9am-8.30pm

Location: RSA House, 8 John Adam Street, London, WC2N 6EZ

Private View

Date: 18 June, 2024

Time: 6 pm - 8 pm

RSVP: on this link.

Film Screening and Q&A

Date: 21 June, 2024 Postponed. New dates TBC

Time: 7 pm - 9:30 pm

Tickets: £5 donation on this link. All proceeds go to Medical Aid for Palestinians.

Exhibiting artists:

Hajar ALMUTAIRI

JC CANDANEDO

Christian CROSS

Julio ETCHART

Fatma FAHMY

Rollie D. HOLEY

Yamam NABEEL

Curated by Andrew Etherington

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2022 - A Year In Review

2022… you’ve been intense! This past year has truly been a whirlwind of activity. From working on artistic and socially-conscious projects to running workshops exploring everything from project management to the nuances of human identity. Over the last 12 months, my practice truly went beyond the camera and I feel like I have used my work to create a space for dialogue and exploration, opening up conversations about the power of art and photography in activism.

For the year to come, I hope that I can continue engaging with audiences and communities working on thought-provoking and meaningful projects. When it comes to my art, I believe that it is my responsibility to use it as a platform to promote social transformation and bring positive and lasting change to the world.

Here are the hightlights of 2022:

I’m one of the mentors of the Beyond Barriers mentoring scheme at Kingston University.

This was my fourth year as a Students’ Career Mentor at Kingston University.

Fellows of the Center for Social Impact Strategy of the University of Pennsylvania meeting at Derby organised by Derby Museums.

I presented work at the Teddington Artists’ Art Fair.

Presentation of my work entitled Migration and of a performative piece that we called The Hidden Entity co-created by me and The Ensemble Project with the collaboration of artist Shane Bradford.

I taught project management skills to a group of amazing photographers for Four Corners as part of the London Creative Network.

Had a beautiful time sharing my journey and supporting young artists during the Community ARTivism programme run by Skaped.

I was commissioned to document the community of Aberfeldy Village in East London.

Behind the scenes of Aberfeldy Stories

Working with the London College of Fashion of the University of the Arts London, the Centre for Sustainable Fashion, Love Welcomes and Dr Francesco Mazzarella supporting refugee communities during the summer of 2022.

My project The Other Checkbox in collaboration with Sandy Abdelrahman included workshops exploring ethnic identity with a beautiful group of very talented individuals.

Very fortunate to be part of Traces: Stories of Migration, a project run by artist Lucy Orta and Making for Change, a programme by the London College of Fashion of the University of the Arts London.

I was named Chairperson of Central London Humanists.

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Thanks to Everyone Who Came To Teddington Artists Art Fair 2022

Thank you ever so much to everyone who came down to see me at the Teddington Artists Art Fair 2022 at the beautiful Victorian Normansfield Theatre at the Langdon Down Centre in Teddington this weekend. It was my first time at an art fair and I really enjoyed the feeling of community that artists who showcase at these fairs have. So many lovely people stopped by to show me support and also new friends who have just discovered my work for the first time.

I presented work from my series Migration, in which I investigate themes of displacement and restriction of Movement. I had a really good time and I hope to see you all at the next one!

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Join us in our Art-making Workshops!

Sandy Abdelrahman and I invite you to come along to our weekly workshops to explore identities, sense of belonging and representation through various creative activities and take part in a full-day doll-making workshop! Learn new skills, let your creative juices flow and be part of a lovely community of people who also consider themselves 'Others'. The workshops will take place in Central London on August 16 and August 23, from 6:30 pm to 9 pm, and on a Saturday in September to be confirmed, from 11 am to 5 pm.

You can sign up on this link: www.eventbrite.co.uk/e/383338354337

The workshops consist of a variety of group dynamics and short exercises that will be followed by art-making sessions in which participants will learn how to make dolls from different materials such as fabric, paper and clay. All the pieces created by the participants will form part of a collective artwork that will be exhibited in the future to increase awareness and support for members of the 'Other' ethnic groups in London.

These workshops are aimed at people who consider themselves as 'Others' and who have lived experiences of otherness. All the artworks created during the workshops will take part in a collective exhibition and will be photographed for the social media, website, marketing and impact report of the project.

LOCATION, DATES AND TIMES

  • Evening Workshops

Dates: August 16 and August 23

Time: 6:30 pm to 9 pm

Location: Marchmont Community Centre, 62 Marchmont St, London WC1N 1AB

  • Saturday Workshop

Dates: September 3

Time: 11 am to 5 pm

Location: Story Garden, , Ossulston St, Somers Town, London NW1 1DF

Be aware that the workshops will be photographed and short video clips will be taken for marketing purposes.

COVID

In line with current government advice, restrictions due to Covid-19 have been lifted across the UK. Wearing masks is a personal choice. If you are experiencing symptoms or test positive, we would ask you to consider the community and stay at home. We do not have a stock of tests at the venue, but masks and sanitising gel will be available.

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Teddington Artists Art Fair 2022

This year, I will have a stand at the Teddington Artists Art Fair showing work from my series Migration, in which I investigate themes of displacement and restriction of Movement. The art fair will take place at the beautiful Victorian Normansfield Theatre at the Langdon Down Centre in Teddington on July 23 and 24, 2022, from 11 am to 5 pm. The Langdon Down Centre is located at 2A Langdon Park, Teddington TW11 9PS in SW London.

Admission is £3. No need to register.

The Art Fair

Teddington Artists is a group of artists founded in 1990 who strive to show the wide degree of diversity in both media and style of the artists who live and work in the local area. They meet regularly to exchange ideas, provide artistic support and promote a high quality of work.

This year, the list of artists taking part in the fair includes Jim Woodman, Elaine Coles, Tracy Florance, Wick Hutton, Peter Taunton and many more from a wide range of styles: prints, paintings, ceramics, objets trouvés, photography, textile art, jewellery and sculpture.

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The Importance of Storytelling

Thanks to everyone who came to see me talk at the launch of The Reclaimery where I talked about the relationship between storytelling and pre-worn clothes. The event took place at The Lab E20, a space that has been repurposed by Christopher Raeburn as a creative hub which exhibits the work of eco-conscious designers, provoking thoughts on the processes behind our clothes.

During the talk, I spoke about why storytelling is important when we talk about our work and what are the necessary elements that form a story.

I used as an example El Viaje, a collaboration with The Reclaimery that was born from a conversation on how no one is from anywhere, and we are all from somewhere else.

I also presented a piece that I created as a response to Traces: Stories of Migration, a programme from the London College of Fashion and Making for Change in which I used cyanotype and silk organza to explore the migration journeys of my family in an attempt to answer the question of why was I born in Panama.

Photo credit: Francesco Mazzarella

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Aberfeldy Stories

Join me in East London for the unveiling of my new work commissioned by Ecoworld and Poplar Harca to mark the 10-year milestone of the Aberfeldy development. The exhibition Aberfeldy Stories, will be open to the public this summer at East India Green, Aberfeldy Village, London E14 0GH, in Poplar from 30 June-31 August 2022.

Aberfeldy Stories is a new photography and audio stories exhibition that explores how this iconic East London neighbourhood has evolved over the past decade, as well as the lives of the residents within the community. The exhibition features portraits of residents, business owners and community leaders, photographed by me.

There are also audio stories about how their lives have changed since the regeneration began and their hopes and dreams for the future, created in collaboration with local arts collective The People Speak.

See you there!

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Thanks for Coming to Mode Sirens and The Hidden Entity!

Thanks to everyone who came on Saturday to Shane Bradford’s Studio to see my new work entitled Migration and a choreography The Hidden Entity that I co-created with Max Gershon and The Ensemble Project. In Migration I combined photography and dance to investigate themes of displacement and restriction of movement. The session took place in the same building where I presented the work, a disused book works that is being used as a collaborative artistic space.

The Hidden Entity is a performance art presentation inspired by the collection of Mode Sirens from Shane Bradford and the very building in which it is performed. The building, a former publisher and book works in the heart of old Borough is due for redevelopment at the end of the year. The choreography echoes the aura of past activity, manifesting a sense of loss, breakdown and separation whilst enacting a vigorous ritual of optimistic and youthful energy, akin to rebirth and reparation.

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I Have Been Named Member of the Board of Trustees of AXIS

I’m very happy to announce that I have been named a member of the Board of Trustees of Axis, a charity that supports artists and champions best practices in the creative industries in the UK. I was attracted to the role because Axis was looking for trustees who consider themselves champions of equal access, anti-racism, and fair distribution in whatever field they work in. Those words strongly resonated with me!

Axis was founded in 1991 as an organisation that supports artists all over the UK by nurturing a culture of collaboration and growth, and creating opportunities for artists while encouraging and facilitating good practice in the visual arts.

They do this by creating access to the arts through their multiple programmes: Vacant Spaces (pop up art spaces in high streets all over the country), Graduate programme to ease the transition of students of art into the creative industries, Fellowship scheme with commissions, Hardship Fund, and more.

I couldn’t be prouder of being a member of the board of trustees of this organisation because they represent everything that I stand for. You can find out more about Axis and the work they do on their website axisweb.org or any of their social media @axisweb.

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Mode Sirens & The Hidden Entity

Shane Bradford, The Ensemble Project and I are pleased to invite you to an exhibition of painting and performance entitled “Mode Sirens & The Hidden Entity”. The project is a collaboration between artist Shane Bradford and the Ensemble Project, a choreographed assembly of six individual dancers, co-created by Max Gershon and me.

The opening is on Saturday, 7th May, 2022 from 3-7pm with two performances at 4pm and 6pm at 4 Bittern Street, London SE1 1PJ.

Mode Sirens ‘is a systemisation of tropes endemic to paint, pigment, movement and medium. Mistakes are isolated and categorised into groups of intentional action. The error, in all its forms is mitigated, in turn, by the repair. In the background the human body lurks. Breaches of covering canvas expose frail glimpses of bodily vulnerability. Slits, holes, openings and apertures hint at the venal imaginary flesh below the surface.’

The Hidden Entity is a performance art presentation from the Ensemble Project inspired from the collection of Mode Sirens and the very building in which it is performed. The building, a former publisher and book works in the heart of old Borough has served as the artist’s studio for the past decade and is due for redevelopment at the end of the year.

As such, it becomes another vulnerable body, a Hidden Entity living within its own time, housing the vestige of its own secret history and those who have passed through. The bespoke choreography by Max Gershon with JC Candanedo echoes the aura of past activity, manifesting a sense of loss, breakdown and separation whilst enacting a vigorous ritual of optimistic and youthful energy, akin to rebirth and reparation.

Mode Sirens & The Hidden Entity exist symbiotically as a multi-format mode of expression.

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Our Podcast is Live!

I’m very excited to announce that The Other Checkbox podcast is Live! Listen now on Spotify! The Other Checkbox is a collaboration between Sandy Abdelrahman and me which explores London's other ethnic identities, especially within the equality and diversity monitoring forms and the national statistics. The project idea was born from our continuous conversation and debates on identity and not feeling represented or belonging. It is a project that is rooted in our own lived experience as immigrants and members of the 'Other' ethnic groups ourselves.

Sandy is a migrant woman of colour, activist, creative social entrepreneur and a co-founder of Skaped, a charity that inspires young people to engage with their human rights through the creative arts. The Other Checkbox is funded by the Paul Hamlyn Foundation.

Our aim is to create a sense of community and belonging for individuals from the 'Other' communities and a space to share our voices. The other checkbox is broken down into four parts that interlink with each other starting with a survey, Podcast, Creative workshop and finally the impact report.

You can learn more about the project on theothercheckbox.co.uk.

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Recent Work Showcase

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T S Eliot wrote in his 1919 essay Tradition and the Individual Talent that ‘No poet, no artist of any art, has his complete meaning alone.’ Admittedly, he was referring to tradition and those who come before us but one could also say the same about the communities that surround us. Humans are social animals, and only when we are surrounded by a supportive environment is that we thrive. For me, that support network has been The Trampery. Since I became a member many moons ago, both the organisation and the members of their community have been my rock. Never before in my life have I been so inspired by anyone as I am inspired by my fellow members of The Trampery.

This week, The Trampery is hosting a member showcase featuring work by members of their creative community. From photographers to architects, musicians, fashion and digital designers, come over to The Trampery on the Gantry and enjoy exciting work from East London's creative community.⁠ Running from the 6th to the 10th of September from 11 am - 4 pm every day.⁠ Find out more on this link.

During the showcase, I will be featuring work from my recent projects some of which are straight out of the oven. Hope you enjoy it and please let me know in the comments below if you were able to make it.

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August 20, Tai Solarin Day

Tai Solarin, 20 August 1922 – 27 July 1994. Public domain.

Tai Solarin, 20 August 1922 – 27 July 1994. Public domain.

My friend and colleague Lola Tinubu, co-founder of the Association of Black Humanists, shared with me that today, August 20, is Tai Solarin Day 2021. Dr Tai Solarin was an open atheist humanist born in Nigeria this day in 1922. He died in 1994. He was a leading civil rights activist, imprisoned for challenging the system. He campaigned vigorously against religion in school and, alongside his wife, established the first humanist school in Africa, which is still one of the best schools in Nigeria.

Lola shared with me this piece that she wrote: “Every freethinker on the planet should know about Tai Solarin. He was born in Nigeria on 20 August 1922. His actual name was Augustus Taiwo Solarin, but he was popularly and affectionately known as Uncle Tai Solarin. Tai is shortened Taiwo. He was one of twins. Taiwo in Yoruba means, the first to taste life. He was the first of the twins to be born. His twin sister was Kehinde Solarin. She died in 1991. The first to be born in multiple births in Yoruba Land is called Taiwo. The second is Kehinde and the third is Idowu.

Tai Solarin served in Britain's Royal Air Force during World War II, and finished a bachelor's degree in history and geography at the University of Manchester. He had his post-graduate studies at the University of London. His wife was an English woman, Sheila Mary Solarin (nee Tuer).

On return to Nigeria, he became a leading educator. Tai Solarin as well as being an educator became one of the leading post-Independence civil rights critics and activists in Nigeria. He was also an author and a philosopher.

In Nigeria, where religion dominates the public space, Tai Solarin was an open atheist humanist. As well as his political activism, he was a humanist activist. He was bent on letting Nigeria knew that you could be good without religion.

From 1952 to 1955, he was the Principal of Molusi College in Ijebu Igbo in the southwest of Nigeria. The governing board of the school demanded that he opened the school each day with hymns and prayers and that his students attended church every Sunday. He protested this vigorously. He wanted schools to be a religion-free zone so as to allow young people to think for themselves. He left Molusi College because he did not agree with the imposition of religion on young people.

Tai Solarin went on with his wife, Sheila to establish the first humanist school in Nigeria. His school is still going strong in Nigeria. It is called Mayflower School, in the southwestern part of Nigeria.

Tai Solarin was defiant until his very last breath. He was imprisoned for criticising corrupt governments in Nigeria. He was not afraid of being tortured or killed. He spoke out loud against bad governance, against any harmful practices of religion, culture, and tradition. His school is still one of the very best in Nigeria.

What remains unique about Tai Solarin was how he got away with being an open atheist humanist in Nigeria. Ordinarily being an open atheist humanist should be a problem in Nigeria, but Nigerians saw a good human in humanist Tai Solarin and loved him! In honour of his memory, Tai Solarin University Of Education is named after him.

Happy Tai Solarin Day!“

Thanks, Lola, for sharing the life of this fascinating man with me!

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I Made It To The Shortlist Of The Taylor Wessing 2021

Photo credit: ©2020 Thaïs Verhasselt

Photo credit: ©2020 Thaïs Verhasselt

This year, an image from my project “Seeing Changes” was shortlisted alongside other 441 images for the National Portrait Gallery’s Taylor Wessing Photographic Portrait Prize 2021. There were a total of 5,392 images submitted that represent the very best in contemporary portrait photography. Sadly, I didn’t make it to the finals, but I’m very proud of this accomplishment! Particularly with an image from this project that I’m very fond of.

The National Portrait Gallery’s Photographic Portrait Prize, sponsored by Taylor Wessing since 2008, is one of the most competitive photography awards in the world. Since the competition began in 1993, it has established itself as one of the leading photography competitions in the world.

The National Portrait Gallery holds the most extensive collection of portraits in the world. Founded in 1856, its aim is to promote through the medium of portraits the appreciation and understanding of the people who have made and are making British history and culture, and the appreciation and understanding of portraiture in all media.

“Seeing Changes” is a photography project in which I explore how a supportive environment can change a young person's life forever. The series includes portraits of students and staff from the Waltham Forest College in London who took part in a personal development programme run by the Prince’s Trust.

The Prince’s Trust supports young people who often come from difficult backgrounds or are at risk of exclusion. Some of the students have dealt with trauma, have had problems with the law or have experienced mental health issues that have affected their self-confidence and their outlooks for their future.

The Waltham Forest College is located in Walthamstow, an area of East London with a rich industrial heritage. After the Industrial Revolution, it was famed for its manufacturing companies that included manufacturers of transport, arms and photographic equipment. However, post-war and up until the 2012 Olympic Games the area faced many challenges such as high levels of crime, poverty and deprivation.

Since the 2012 Summer Olympics, this part of London has become increasingly gentrified and property prices have skyrocketed which has contributed to a change in the local economy and demographics. Still, Walthamstow remains one of the most ethnically diverse areas in London.

Noora, from the series Seeing Changes © 2020 JC Candanedo

Noora, from the series Seeing Changes © 2020 JC Candanedo

The college was built in 1938 in response to a demand for qualified labour for the industries in the area. One of the most notorious manufacturing companies of the time was Barnet Ensign, LTD, one of Britain's most successful camera-makers.

Barnet Ensign were the makers of the Ensign cameras, one of the most popular cameras of its time in the UK. The building where these cameras were produced stood three blocks from the College up until the 60’s when the factory was closed. The company never recovered after the building was bombarded during the Blitz in WWII.

All the portraits of this project were taken using an Ensign Ranger camera produced a decade after the college was built. This creates a direct link between the importance of Walthamstow in the history of photography, the place that the Waltham Forest College holds in the industrial heritage of the area and the work that the Prince’s Trust is doing in shaping the future of today’s youth.

Once the film was developed, I wanted to give a voice to all the participants so I asked them to write directly on the negatives and tell me their experiences of taking part in the programme. Due to the sensitive nature of some of their personal stories, I assigned the negatives at random so that no one wrote on their own portrait. This way, their personal experiences were kept anonymous.

While working on this project, I also led some of the workshops and offered mentorship to the students. I can honestly say that seeing their lives change from when they started in the programme to when they finished, knowing that we’ve contributed to the look of accomplishment in their faces, has been one of the most enriching experiences of my life.

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I've Been Selected As A Fellow In The UK Creative Community Fellowship

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I am really excited to announce that I have been selected to be one of the 25 arts and culture entrepreneurs to take part in the 2021 cohort of UK Creative Community Fellowship organised by Derby Museums, National Arts Strategies, and the Center for Social Impact Strategy at the University of Pennsylvania.

UK Creative Community Fellows is a learning experience which brings together artists, community organisers, administrators, and entrepreneurs from around the United Kingdom to explore new tools and frameworks around driving physical or social transformations through arts and culture. This will be achieved by learning to make deeper connections with our community and build key partnerships with local organisations that will see our project thrive.

Derby Museums is an independent charitable trust operating three museums: the Museum and Art Gallery, Museum of Making, and Pickford’s House. It cares for the collections of cultural heritage on behalf of Derby City Council for the people of Derby. It also houses the Royal Lancers Museum.

National Arts Strategies builds and supports a diverse community of arts and culture leaders who drive inspiring change for the future. They envision a world in which everyone working in arts and culture is empowered with equitable access to resources and connected within thriving networks that benefit all people and our planet.

The Center for Social Impact Strategy at the University of Pennsylvania is a research and action center based in the University of Pennsylvania’s School of Social Policy & Practice. Their mission is to make tools and resources for social impact available to anyone, anywhere.

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I've Been Shortlisted For The Royal Photographic Society IPE 163

Noora from the series Seeing Changes © 2020 JC Candanedo

Noora from the series Seeing Changes © 2020 JC Candanedo

I am thrilled to announce that an image from my project “Seeing Changes” has been selected alongside the images of other 279 photographers as shortlisted for the Royal Photographic Society’s International Photography Exhibition 163. The Royal Photographic Society is an international charitable organisation based in Bristol, UK, dedicated to increasing the knowledge, understanding and enjoyment of photography. Founded in 1853, the RPS is one of the world’s oldest photographic societies.

The International Photography Exhibition has been held almost every year since 1854 and is the longest running exhibition of its kind in the world. In the early years, the exhibition included work from some of the world's most eminent photographers including Julia Margaret Cameron, Roger Fenton, Edward Steichen and Paul Strand.

“Seeing Changes” is a photography project in which I explore how a supportive environment can change a young person's life forever. The series includes portraits of students and staff from the Waltham Forest College in London who took part in a personal development programme run by the Prince’s Trust.

The Prince’s Trust supports young people who often come from difficult backgrounds or are at risk of exclusion. Some of the students have dealt with trauma, have had problems with the law or have experienced mental health issues that have affected their self-confidence and their outlooks for their future.

The Waltham Forest College is located in Walthamstow, an area of East London with a rich industrial heritage. After the Industrial Revolution, it was famed for its manufacturing companies that included manufacturers of transport, arms and photographic equipment. However, post-war and up until the 2012 Olympic Games the area faced many challenges such as high levels of crime, poverty and deprivation.

Since the 2012 Summer Olympics, this part of London has become increasingly gentrified and property prices have skyrocketed which has contributed to a change in the local economy and demographics. Still, Walthamstow remains one of the most ethnically diverse areas in London.

The college was built in 1938 in response to a demand for qualified labour for the industries in the area. One of the most notorious manufacturing companies of the time was Barnet Ensign, LTD, one of Britain's most successful camera-makers.

Barnet Ensign were the makers of the Ensign cameras, one of the most popular cameras of its time in the UK. The building where these cameras were produced stood three blocks from the College up until the 60’s when the factory was closed. The company never recovered after the building was bombarded during the Blitz in WWII.

All the portraits of this project were taken using an Ensign Ranger camera produced a decade after the college was built. This creates a direct link between the importance of Walthamstow in the history of photography, the place that the Waltham Forest College holds in the industrial heritage of the area and the work that the Prince’s Trust is doing in shaping the future of today’s youth.

Once the film was developed, I wanted to give a voice to all the participants so I asked them to write directly on the negatives and tell me their experiences of taking part in the programme. Due to the sensitive nature of some of their personal stories, I assigned the negatives at random so that no one wrote on their own portrait. This way, their personal experiences were kept anonymous.

While working on this project, I also led some of the workshops and offered mentorship to the students. I can honestly say that seeing their lives change from when they started in the programme to when they finished, knowing that we’ve contributed to the look of accomplishment in their faces, has been one of the most enriching experiences of my life.

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Why Must Everyone Celebrate LGBTQ+ Pride Every Year

This post is also available in audio form:

Visual-Artist-Photographer-JC-Candanedo-London-Fashion-Award-Winning--1-2.jpg

This post was updated on July 6, 2021, to include the murder of Samuel Luiz in Galicia.

In the UK, the new £50 note featuring Alan Turing enters circulation today. Alan Turing was a scientist, war hero and one of the most famous humanists in the history of the UK. He was also a gay man, and despite his contribution to world peace and to the Allied victory of World War II he was convicted for being gay and forced to undergo chemical castration. 67 years after his death, this seems like a token commemoration that only highlights how our governments are capable of the most horrible actions against human rights, to the point of targeting those who have contributed to humanity the most.

We no longer live in a world as the one Turing knew, but we still live in a very homophobic world. If you don't believe me, just think that I am a gay man living in a major city in the global north in the XXI century, who cannot go out on the street holding hands or kissing another man. Something that any straight couple would do naturally and worry-free it is not available to me. You could argue in favour or against public demonstrations of affection for any type of couple, but that's not the point here. The argument here is that in the year 2021 I am still not free to walk the streets of the city I live in without fear. Just because I am a man who loves another man. That is just one of the ways in which everyday homophobia manifests itself these days. And that is just one of the reasons why we still need to celebrate Pride every year.

52 years ago, on June 28, 1969, the New York Police raided the Stonewall Inn, a popular gay bar in New York's Greenwich Village. Police raids in gay venues were common those days because engaging in gay behaviour in public was illegal. But that day, the Stonewall Inn's patrons and the neighbours from the surrounding areas stood up to the police fed up with the abuse that had gone on for far too long. That clash with the police led to six days of riots, which have become a symbol for the LGBTQ+ liberation movement worldwide. June 28, 1969, marks the day in which those brave LGBTQ+ people that came before us started paving the way for the rights that we enjoy today.

We have come a long way in terms of human rights for the LGBTQ+ community, but I'm here to report that things are not as happy under the rainbow as they seem. Sure, I can get married to another man, I could adopt children if I wanted to, and the majority of us in the UK (excluding religious communities) don't have to conceal our sexual orientation anymore. Still, Conversion Therapy has not been fully banned in the UK yet (it's pending "consultation") and homophobic attacks (typified as hate crimes in the UK) have increased by 20% over the last year in the country.

This comes as no surprise, particularly because the British Empire, the one that so many English nationalists are so proud of despite the atrocities committed in the colonies, was responsible for spreading homophobia throughout the planet. As someone who was one of the lucky ones who was able to escape from conversion therapy, but who has been a victim of acts of homophobia throughout his life, I can attest that we still don't live in an LGBTQ+ safe world.

In the EU, it is not safer to be LGBTQ+ than it is in the UK. In Spain, on the night of July 3, 2021, a young gay man from Galicia called Samuel Luiz was brutally murdered by a group of straight men who beat him to death while calling him a faggot.

Being born LGBTQ+ in countries like Hungary and Poland means living under constant government and societal hostility. In other countries where religion also has a huge influence like in the case of Italy, the Catholic Church is using its power to restrict the protections that the government offers to LGBTQ+ people.

Also in Spain, where football is another type of religion, an openly gay referee had to quit his job due to homophobia. In Germany, the UEFA made a political statement by trying to avoid making a political statement in Munich when it refused to light Munich stadium in rainbow colours for Germany-Hungary match. And outside of Europe, but still speaking of football, Mexico's football team was recently sanctioned due to the homophobic chants of its fans.

Staying on that side of the pond, and in a country that is considered liberal and progressive, the State of Florida in the US just passed homophobic legislation that takes away rights and protections to trans people.

Leaving the liberal world, if we now talk about countries like Uganda or Nigeria, considered one of the worst countries for LGBTQ+ people in the world, or Russia or Chechnya, the situation is even direr. The world is still not a safe place to be born LGBTQ+.

So when we see every year a parade organised by the LGBTQ+ community and its allies, no one should wonder why we still need to have a day to commemorate our Pride. June 28 is not only a date to celebrate how far we've come and to honour the members of our community who came before us and who we must be grateful to for the few rights that we are able to enjoy today.

It is also a day in which we send a message to the LGBTQ+ people around the world who still live in fear of prosecution or even death where we tell them that we got their back. That not a day goes by that we don't do everything within our power to combat homophobia and make this world a safer space for the current and the future LGBTQ+ generations to come.

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Case Study: The Trampery at Poplar Works. Photography of Exteriors, Interiors and Portraits of Members.

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The Trampery at Poplar Works is a workspace, training centre and a hub for anyone working in fashion: designers, makers, jewellers, experienced business owners, and first-year startups. The space has over forty studios across two sites, as well as training areas, a small production unit and a café.

The Trampery at Poplar Works runs an extensive enterprise and events programme and is home to London College of Fashion, UAL’s award-winning Making for Change programme. Poplar Works is a partnership between Poplar HARCA, London College of Fashion, UAL and The Trampery, supported by the Mayor of London and part of the Fashion District.

The Trampery approached me to photograph Poplar Works and their tenants and members with the aim to include the images on The Trampery’s website, social media, newsletter and also the press releases from all the Poplar Works partners, which would promote the space, the members and their businesses.

The brief was divided into two sections:

  • Images of the exteriors and of the interiors of the building showing the studios, common areas and café to promote the space.

  • Portraits of the members: photograph Poplar Works members individually on the outside of the building and also take images of them working in their studios.

The images were used in all The Trampery communications and they were also printed onto posters which were displayed outside the building to showcase some of the exciting things members are doing and help demystify what happens behind closed doors.

Exteriors and Interiors

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Members and Studios

Do you like what you just read? Consider becoming a patron on patreon.com/jccandanedo where you can learn more about my creative process and the stories behind my images. I’d love to have you as part of my Patreon community.

Subscribe to my weekly blog posts here! You may subscribe to the audio version wherever you get your podcasts.